Breathing in Singing

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Breathing behavior during singing

Together with Curt von Euler and the late Rolf Leanderson, the author has carried out a series of investigations of the breathing behavior during the last decade. This article presents the picture of phonatoy breathing in singing that has emerged from this research. Subglottal pressure is determined by muscular forces, elasticity forces, and gravitation. The phonatoy function of the breathing a...

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Breathing and Singing: Objective Characterization of Breathing Patterns in Classical Singers

Singing involves distinct respiratory kinematics (i.e. movements of rib cage and abdomen) to quiet breathing because of different demands on the respiratory system. Professional classical singers often advocate for the advantages of an active control of the abdomen on singing performance. This is presumed to prevent shortening of the diaphragm, elevate the rib cage, and thus promote efficient g...

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Breathing muscle activity and subglottal pressure dynamics in singing and speech

Previous studies have indicated that the diaphragm may contribute to the accomplishment of the quick and precise subglottal pressure changes required during singing. The present investigation compares data collected from simultaneously recorded EMG from breathing muscles and transdiaphragmatic pressure during singing as well as during nonsense and emphatic speech.

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Singing in congenital amusia.

Congenital amusia is a musical disorder characterized by impaired pitch perception. To examine to what extent this perceptual pitch deficit may compromise singing, 11 amusic individuals and 11 matched controls were asked to sing a familiar tune with lyrics and on the syllable /la/. Acoustical analysis of sung renditions yielded measures of pitch accuracy (e.g., number of pitch errors) and time ...

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Respiration in operatic singing:

Professional operatic singing can be performed technically for practice and rehearsal, or with heightened emotion through intention to communicate with an audience. Previous studies of respiration in operatic singing have not taken into account the professional performer’s ability to differentiate at will between rehearsal and performance modes of singing. The aim of this thesis is to investiga...

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ژورنال

عنوان ژورنال: The Journal of Laryngology, Rhinology, and Otology

سال: 1894

ISSN: 1755-1463,2051-2082

DOI: 10.1017/s1755146300154861